It Doesn't End Here

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It Doesn't End Here

The transformation of McKay-Dee Hospital Cancer Center centered around not just a positive experience for patients and staff, but one that can awaken the internal healing powers those battling cancer.
By Taylor Larsen

Cancer sucks.

That message is on t-shirts and stickers, message boards and social media, and is often said to others when news comes out about a diagnosis—a show of solidarity in the fight against cancer.

But riding through the challenge doesn’t have to be the only experience, especially in cancer center design and construction.

For Nathan Murray and Brian Murphy, the respective design and construction leaders who helped bring the McKay-Dee Cancer Center into a 21st century, their work showed that a cancer diagnosis or treatment isn’t the end, but the beginning of a new journey of support and patient-centered care.

The project was a long time coming. What began in 2018 with the winning bid needed a bit of time to settle on the ownership side, but had Scott Roberson and Jimmy Nielson from Intermountain Healthcare championing the project along the way.

Throughout the project, the team never lost track of the patient experience, which Murphy said led to many productive meetings on design priorities and project sequencing to achieve the renovation’s full potential.

“The agenda for every team meeting included a spot for discussing how construction activities would/could impact the patients,” said Murphy. Full commitment to those priorities made for productive conversations for every member of the project team.

Environments matter, and communicating what Intermountain Health wanted—healing, hope, comfort—was a major undertaking the construction team took to heart. Their work began by total demolition of the interior, at times working after hours and on weekends to minimize impact on patients and circulation paths to create space for the 18 departments to be housed there.

Murphy detailed that each of the renovation’s six phases required complete reconstruction post-demo to suit a particular department, each with very specific requirements and functions. The construction team tied into existing mechanical, electrical, and plumbing infrastructure where possible and maintained the hospital’s existing structural “backbone” to minimize additional structural members.

Trust in Wayfinding

Design started with dedicated parking for cancer patients, more outdoor light, and exterior signage to give patients a bump of strength knowing they were in the right spot before undergoing cancer treatment. The reimagined entry was a starting point for design to take off through the rest of the hospital, creating a new environment for patients and staff to thrive.

Great design, he continued, is about understanding human psychology. That understanding, according to the designer, is most evident in how the McKay-Dee Cancer Center conveys, "We trust you as a patient.”

If an environment can convey that we trust the patient, Murray asked, how much more likely is the patient to trust the physician?

The team looked to create an environment where design would guide patients on where to go and how to proceed. No more coterie of signs and markers cluttering the space, lighting would be the guide, “a design trick” Murray smiled, but a subtle refinement to show that trust.

Bands of light in pods help to guide the patients where they need to go on their respective care journey while caregivers are guided by a similar indirect lighting off stage. Maybe it’s religious, maybe not, but Murray’s word of advice for anyone traversing the hospital is to “follow the light.”

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Transparency and Expectation

“There are already enough negative surprises with cancer,” Murray said to emphasize the priority of patient comfort, care, and understanding.

According to National Cancer Institute data, an estimated 2 million-plus cases of cancer will be diagnosed this year, with over 600,000 people dying from the disease. Negative surprise only scratches the surface of how terrifying cancer can be before treatment ever begins.

Glazing throughout the building sets expectations for what comes next and removes those negative surprises. Interior glazing offers a translucent glimpse into and out of clinics and treatment areas, while the exterior facing glass naturally lights patient hallways and further enhances the atmosphere.

Connecting patients visually to the outside world within the hospital opens up views to the majestic Wasatch Mountains east of the hospital. By gazing out any glass, interior or exterior, patients can see the next steps on their journey and confidently move forward in treatment.

Bringing opaque walls down but ensuring that privacy and safety are still honored. Murray pointed to a conference room just off the main office as a prime example of subtle balancing act at play between translucency and transparency. While providers inside brainstorm their healing plan, they aren’t beyond a level of visibility that connects them to their patients.

“Give it the level of privacy it needs and no more,” Murray said of how to effectively thread the needle in this aspect of healthcare design. Instead of over engineering the rooms and putting up walls for privacy—black and white, privacy or not—design called for frosted glass in private patient areas, too, showing there is life inside these pods and inspiring people to reach within.

“I’ve always believed if you understand the patient, what they need, and provide for that, you can help unleash the patients’ inner healing,” Murray said.

That became especially important as all aspects of design coalesced patient reception and treatment areas around the hospital’s linear accelerator machine. As patients follow the bands of light and green walls of the Radiation Oncology Therapy Suite, they arrive at another inviting area with similar frosted glass and warm wood tones along the next stage of their healing journey.

Technology Provides Space for Design to Thrive

Murray said he enjoys being able to design around cutting-edge technology, and the linear accelerator machine in the cancer center is no exception.

The machine, like a futuristic laser turret, is imperial in size. Its pinpoint targeting makes it the heavy artillery in the war on cancer, but design and construction needed to imagine something beyond just fighting cancer—but fighting for the patient. Design and construction, both Murray and Murphy noted, needs to aid in treating a person, not a disease.

Even though the room is encased in six feet of concrete and a serpentine path to access it in a way where the machine’s radiation is tucked away from patient and provider, it doesn’t have to feel like a bunker, nor does it have to feel imposing.

“You can work as efficiently as you want, but the space you work communicates a lot,” Murray reiterated.

While the linear accelerator has a commanding presence, the positioning lasers, medical gasses, and ancillary equipment are carefully hidden behind easily accessible cabinetry. The wood tones that cover the supporting equipment combine excellently with the walnut veneer on portions of the ceiling and side wall help make the patient feel at home.

The room is wired for sound, lighting can be dimmed or brightened to allow both patient and provider the chance to dial everything to optimal levels for the patient. Murray put it simply, “It’s not just treating the disease, but how can we allow you to relax?”

“There’s something powerful about the sense of control and empowerment—it’s enabling,” he said. A Patient-centric building coupled with the hospital’s patient-centric care change the narrative surrounding cancer. No longer does it have to be passive treatment, according to Murray, patients are the protagonists in their own story.

It’s one of many spaces where thoughtful elements like customizable lighting, acoustics control, and intuitive wayfinding contribute to a calming and relaxing environment for patients.

Adding a Bow on an Incredible Project

After finishing most of the work, a generous donor emerged to fund a healing garden as the final part of the project. With a curved architectural bench, a variety of plantings, and a walking path, the healing garden provides a peaceful and meditative space for patients and their families, tying a bow on a phenomenal renovation.

These transformational healthcare projects are consistently sought out by TSA and Big-D Construction, but according to Murphy, each one is immensely fulfilling for what having such a supportive environment means for those with cancer.

“Every one of us has a loved one or acquaintance who has been directly impacted by some form of cancer,” he said. “Participating in a project like this – one that will have a positive impact on the community for many years—is extremely rewarding.”

McKay-Dee Hospital Cancer Center Renovation

Location: 4403 Harrison Boulevard, Ogden, Utah

Cost: $11,000,000

Delivery Method: CM/GC

Square Feet: 67,000 SF

Owner: Intermountain Health, Inc.

Design Team

Architect: TSA Architects

Electrical: Spectrum Engineers

Mechanical: VBFA

Structural: Reaveley Engineers

Landscape: Arcsitio Design

Construction Team

General Contactor: Big-D Construction

Concrete: Big-D Construction, JRock Construction (site concrete)

Plumbing & HVAC: VO Brothers Mechanical

Electrical: Cache Valley Electric, Marietti Electric

Drywall/Acoustics: Alternative Acoustics & Drywall, Standard Drywall / Golder Acoustics

Painting: C5 Coatings, RP Painting

Carpentry: Granite Mill

Flooring: Spectra Contract Flooring, Town & Country Flooring

Glass/Curtain Wall: Mountain Valley Glass

Demolition: Red Rock Demolition

Landscaping: Waterscape Landscaping

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Dynamic Electrical

By Taylor Larsen • November 1, 2024

Electrical contracting is competitive as hell. With a plethora of mega projects upcoming, a bidding war for the best electricians and estimators, and even a race to secure the energy to power Utah buildings, the competition at every level seems to grow more intense with each passing year. How can electrical contractors respond to upcoming trends and win work in the Beehive State? It Starts with Labor Ken Hoffman, Preconstruction Manager at Ludvik Electric, said that the competition for labor has been particularly fierce since he and his team began working on the New SLC International Airport some years ago. Competing for great people has always been the case, but the influx of high-level projects over the last decade, he recalled, “pulled everyone up” with drastic increases in wages that helped electricians bring more money home and brought in a cadre of workers from out of state to push jobs past the finish line. There is additional work to be done to bring in the next generation of fieldworkers to help build the state’s future, specifically the financial incentive to enter into a demanding, sometimes dangerous field. Contracting tech company ServiceTitan reports that salaries for entry-level electricians have risen 9.14% since the beginning of 2023, but is it enough? No, and it is hampering project execution. At a recent Urban Land Institute (ULI) Trends Conference, Hunt Electric CEO and President Troy Gregory offered a sobering statistic: currently, for every electrician who enters the trade, three electricians depart. Nathan Goodrich, Division Manager of Helix Electric, said that the industry needs to find solutions fast, as competing for the same people in a wage-based arms race is unsustainable. “We have to promote the trades as people are coming through high school,” he said. Exposure through industry days and other presentations is one way while granting release time for high school student workers was another that Goodrich mentioned as two ways to bring in the next generation of electrical contractors. Gregory agreed, saying that Hunt Electric and other industry groups have become much more involved at the high school level by showcasing and giving interested students career opportunities. He and his team have had success working on pre-apprenticeship that gives the most eager hands-on experience in prefabrication, an area that only grows in importance for contractors. “We’re getting them in a better position to be more productive on a job site on day one,” said Gregory.

Youthful Impact

By Taylor Larsen • November 1, 2024

Editor's note: UC+D's annual look at age 40 & Under A/E/C professionals includes individuals from a wide range of market segments including a general contractor VP, an interior designer, a rising UDOT director, a steel industry entrepreneur, an equipment dealer owner, and an electrical contractor safety/HR executive. Each holds a key position at their respective firm and has proven their skill and capability along their unique career paths.

Scintillating Sustainability

By Bradley Fullmer • November 1, 2024

Architect Brian Backe was succinct when he stated, "when I try to describe the Climate Innovation Center, one of the phrases is 'big things comes in small packages'." His words couldn't be more profound. An ambitious adaptive reuse project that is generating significant buzz in the sustainable building arena locally, Utah Clean Energy's new Climate Innovation Center (CIC) is the transformation of a modest, nearly 70-year-old, 3,000 SF single-level commercial structure into a state-of-the-art, two-story, zero-energy building that will serve as UCE's home for the next half century. "Within a 3,000 square foot footprint it has urban infill, is an adaptive reuse site, Net-Zero, combustion-free, hybrid mass timber structure—we really packed in a lot," said Backe, Principal-in-Charge for Blalock & Partners, who worked closely with Salt Lake-based Okland Construction to ensure optimum sustainability throughout the construction process. The $5.4 million, 5,260 SF project officially opened in June to much pomp and circumstance, and rightfully so. The center showcases the potential of what homes and buildings can be—spaces that are not only comfortable and inviting, but also produce zero pollution. The building will offer a space dedicated to learning, exploration and collaboration centered on climate solutions and improving local air quality, and a place for the community to engage and create solutions to the challenges we face. The project is a testament to CEO/Founder Sarah Wright and her team at Utah Clean Energy, and their commitment to increasing awareness of environmental sustainability. Their new home makes a bold, walk-the-walk statement about the importance of renewable energy in the built world. "There needs to be an education and understanding that renewables (solar, wind, hydro, geo-thermal) are our cheapest resources," said Wright, a Chicago-native whose diverse background includes work in geology, environmental consulting, air quality, and occupational health. She founded UCE, a mission-driven non-profit, in 2001 and is thrilled to see the CIC finally come to fruition after years of planning. The project, she said, embodies UCE's dedication to transforming Utah's built environment to be zero energy and emission-free, while helping the community reimagine the places we live and work. "This is a living laboratory and teaching tool for the public and the business community, demonstrating the tremendous role that buildings have in solving climate change," said Wright. "Everyone that's been here loves it and other owners say they are inspired by it." Kevin Emerson, Director of Building Decarbonization and an 18-year UCE veteran, said the project became a necessity in recent years as UCE's staff swelled to 15 people. "We've had a dream to really 'walk to talk' through our office headquarters and (CIC) is the result of that dream coming to fruition," said Emerson. "It is more than just office space—it's meant to be a showcase and teaching tool for the construction and design industry." "There is nothing more sustainable than reusing our existing buildings and breathing a new 50-year-life into a structure than was slated for demolition," said Backe, adding that construction crews seismically braced the primary existing CMU block wall, in addition to reusing over 65 tons of CMU and 50 tons of concrete.

On the Money

By Milt Harrison • November 1, 2024

As the commercial construction market in Southern Utah—particularly Washington County—continues to heat up, Onset Financial's dazzling new four-story corporate headquarters for its Red Rock Division makes a bullish statement about the company's outlook for the greater St. George area. Indeed, the owner-occupied structure totals 60,000 SF and is designed to harmonize aesthetic appeal with supreme functionality, given that it houses 23 offices, 86 cubicles, myriad state-of-the-art amenities, and a swanky top-floor corporate penthouse for Onset owner Justin Nielsen that is second-to-none. Developed by Salt Lake-based Asilia Investments, CEO Jonathan (Jono) Gardner stated frankly that this project is the nicest, most expensive office project per square foot that his firm has been involved with, and it speaks to Onset's aggressive business practice and optimism in the future of the equipment lending market. "You walk into that building and you know you're in something special," said Gardner. "It's [Onset Founder Justin Nielsen's] way to attract talent. He said, 'This is the way I'm going to build my business,' and he put his money where his mouth is, [wanting] to go above and beyond anything in the market. He leaned into this with an attitude of 'this is my business, this is my operation, I want people to know this is the place to be.’ He has incredible vision and can see things before they happen." Designed by Salt Lake-based Axis Architects and built by Salt Lake-based Okland Construction, the two firms worked harmoniously with each other via a CM/GC delivery method to produce one of the most unique structures imaginable, with a highly-complex layout where two gridlines intersect each other at a specific point in the middle of the building, with the layout based off this one intersection in all directions and floors not situated directly above each other. Gardner charged the design team, led by Pierre Langue, Founder of Axis Architects, to "give us something we've never seen before." In addition to the unique floor layout from floor to floor, they wanted to take advantage of incredible views into Snow Canyon and the environment in general, along with being situated along the Santa Clara River, which offers its own unique aesthetic beauty. Langue pointed out his firm’s perpetual refinement of using "apertures"—a "design element we've been developing and including in our designs for 20 years that is a continuation of an effort instead of one individual design," he said. "It's in reference to a camera—you're inside a box and framing the view. It's a great feature on the inside because you can frame the different views." “That's why the [floor] plates are rotated. It gave us a way to focus the view on something very specific that you want the viewer to see." In addition, said Langue, apertures on the outside are used as an extension of the building and help create shading for the large expanses of glass. Designing the complex floorplate grid was one thing, building it was another. "The layout was difficult because the gridlines were not particular to each other, and they didn't necessarily transfer to the floor above," said Tyler Dehaan, Project Manager for Okland, adding that it's the firm's first project of this kind. He said the "first pier footing we poured was crucial"—it had a column that extended at an angle and only connected to the building at the top floor, and was 15 feet lower in elevation than the first floor. "I was really concerned about that column not being in the right location/elevation and then the steel column not fitting," he added. Dehaan said they wouldn't know for six months if everything would fit—until all the footings, the foundation, three concrete cores (two stair towers, one elevator), and structural steel up to level four were completed. "In the end, it fit perfectly," said Dehaan. "There were no issues." Pouring the three cores was both challenging and labor intensive, and because structural steel tied into the cores, construction on steelwork had to wait until they were built. Okland self-performed the slip-forming process with help from some experienced concrete subcontractors. "When you see what's going on with the structure, you see the genius behind it," said Gardner. "The common cores hold it in place." Another critical and highly unique construction aspect was building a robust “sea wall” along the Santa Clara River capable of withstanding a 150-year flood event. Nielsen had concerns about the building being so close to the river but also wanted a dynamic outdoor terrace with direct access to a bicycle/running path along it. Hydraulic consultants collaborated on a “belt and suspenders” type of decision, said Dehaan, with crews digging down 15 feet below the main floor and installing a retaining wall below the flow line of the river. A wall of riprap and large cobble rocks were installed after the retaining wall was completed and during backfill. A similar build was done along the dry wash on the other side of the site.

Trends to Watch: Mechanical

By Taylor Larsen • November 1, 2024

Out with the old, in with the new? Not quite, according to experts in the mechanical industry. Trends in mechanical engineering and contracting are warming to both new and existing solutions to optimize efficiency as they maximize the mechanical budget. Three mechanical professionals in design and construction detailed the trends they see helping current clients integrate these mechanical solutions with the future in mind. Electrification Buzzing; Heat Recovery Heats Up According to Jared Smith, PE and Mechanical Engineer at VBFA, a constant in the mechanical field is that many owners have continued with gas-powered systems instead of fully embracing electrification. “The high first costs of full electrification of the mechanical systems through heat pumps,” Smith said, “is a bridge too far for owners currently.” “We’re not anywhere near full electrification of every project,” he said, “but clients are toying with the idea, and more clients are getting serious about it.” Operational costs are favorable due to the heat recovery nature of the system, but Utah’s location in a heating-dominant zone (colder winters) means that more air-source heat pumps would be required to meet the building’s heating needs than necessary during the summer months. Widespread electrification may be a years away, but it is is trending up, making the relationship between mechanical and electrical teams more important than ever and setting the stage for future project team victories in coordination and collaboration. It will become the standard for younger engineers as the industry heads toward full electrification of building systems, Smith said. It’s just one of the upcoming trends he is most excited about in the world of mechanical systems. Another is the efficiency gained through heat recovery chillers. Like a heat pump, heat recovery chillers pull heat out from a cooling source. During the cooling operation, the chiller produces cold water while dissipating heat through the condenser. But with a need for both chilled water and hot water, the released heat can go toward heating application. Smith said that operations are seeing overall energy usage intensity decrease across the square footage of the building. Wasatch Canyons Behavioral Health and Intermountain Health’s Saratoga Springs Cancer Care Clinic are two examples where Smith and the VBFA team have seen energy usage intensity decrease with the future implementation of a heat recovery chiller. “It shines in the healthcare environment,” Smith said, “with the year-round cooling load, you can dump it back into the heating system.” Electrification Still Needs Work; “Thermal Battery” Shows Promise For Steve Connor, PE and President of Colvin Engineering Associates, the University of Utah is fast becoming a leader in the electrification of new buildings. “By heating buildings with electricity, what was once heresy,” he laughed, “has become gospel.” Connor cautioned that electrification has drawbacks that need to be considered, namely that building electrification could create a second peak use period in the winter, one which could be even higher than current summer peaks. It will be incumbent on the A/E/C industry to continue to make gains on what Connor called “the best investment in energy” via high-value insulation, building envelopes, and windows to minimize the need for heating. The next step is to recover and store energy generated. At the new James LeVoy Sorenson Center for Medical Innovation at the University of Utah, Colvin Engineering Associates, along with trade partners Archer Mechanical, are utilizing a 42,000-gallon water tank that will function like a thermal battery for the building when it opens in spring 2026. Heat pumps will use the tank as a heat reservoir, adding or withdrawing heat as they cool or heat the building. If the heating demand is especially high and the tank gets cold, they will “charge” the tank overnight with an electric boiler, and if the tank gets too hot in the summer, they will reject the excess heat through a cooling tower. Most of the year, they add or remove heat from the building and store the waste heat in the tank, making it function like a thermal battery. Since buildings are always in need of cooling due to the energy use, people, and equipment in use across the building, heat can be taken away and stored in the tank before being pulled out of tank to heat the building back up in the morning.

United They Build

By Taylor Larsen • November 1, 2024

The business didn’t technically start, as Matt Menlove put it, with five guys in their father's truck. But it was the impetus for Matt and brother Marc to start United Contractors and take it to the heights reached over the last 20 years. One thing that came from those times working out of Dean Menlove's truck was this: “We were taught a love to build,” said Matt, who now leads the 56-person business as CEO. Their upbringing put them on the path to start United Contractors, but not before a few other iterations. The brothers’ handyman business, Menlove Maintenance, helped put the two through college. MKM Construction, run by Matt, ran for a few years before he and Marc joined forces to start United Contractors. United Hits Stride with a Company Vision The early business had the same, “out of your truck” mentality, with United’s first job renovating a Marriott hotel lobby near the Salt Lake City airport, and another significant project by the airport—renovating a tilt-up building for pipeline supplier T.D. Williamson. The 60,000 SF renovation included building a new mezzanine and outfitting the building for industrial operations on a small budget. The project was so successful that the client asked if we could stay on call for future building needs. “That was our first repeat client,” said Matt. “That was where we began the vision that ‘Every client would choose us again.’” At a recent company party to celebrate their milestone, Matt joked that the name "United Contractors” made it sound like they were a bigger business than they were, a benefit of the doubt that may have allowed the company a foot in the door initially. But company size and capability have never mattered as it relates to the company vision—that good experiences on the project team would bring in more work. “Our mission has always been to consistently exceed expectations through ‘Building on a Promise,’” Matt said. “As we build relationships and our clients trust us, then we can get to know them and begin to supersede their expectations and win them over again and again.” It’s not just clients that United wants to win over with the team’s attitude, work ethic, and understanding of construction, he continued, “We want to win over design partners, subcontractors, vendors, and even employees [...] It’s what we strive to accomplish every day when we step on the job site. “

Kimley-Horn SLC Office Marks 10 Years

By By Brad Fullmer • October 4, 2024

It's been a decade since Kimley-Horn, one of the nation’s top engineering and design consultancy firms, launched an office in Salt Lake, and by all accounts, the Wasatch Front market has been a boon to the civil engineering firm, with local leaders feeling highly optimistic about its future success and growth in the Beehive State. The Salt Lake office was opened by Zach Johnson in 2014, who previously spent time in three other Kimley-Horn offices including Sacramento, Orange County, and Denver, with three total people comprising the initial staff. The firm's Denver office was providing consulting services for the Utah Department of Transportation and put together a market analysis regarding expanding into its neighbor to the west. "The market analysis we put together showed we should have had an office in Utah 10 years previously [2004], so we decided to plant a flag and open an office," said Johnson, who leads the office along with seasoned Salt Lake office practice leaders Chris Bick, Leslie Morton, and Nicole Williams. Like any new start-up endeavor, it was rough sledding initially, but strong regional support and the sheer tenacity of boots-on-the-ground marketing started paying off, with explosive growth happening along the way. "I would describe the first few years as lean," said Johnson. "We had to be creative, we had to be scrappy to capture work and rely on our partners across the country, folks who had clients in Utah and rely on those relationships. Those first two to three years were about relationship building and knocking on doors that didn't always open. It was a lot of fun."

A Future Paved with Intentionality

By Taylor Larsen • October 3, 2024

Nearly 90 minutes into a conversation with Dave Edwards and Bruce Fallon, the two remembered a story about the values of WPA Architecture from years before. Fallon was in talks with the principals at the firm to define values for the rest of the company. Longtime ownership, with decades of experience founding and building up their own firm, weren’t against the idea, but the idea of formalizing it all seemed inconsequential. Fallon had been a Principal with the firm for ten years and finally asked longtime Principal Alan Poulson (who retired in December 2023), ‘What motivates you?’ to which [Poulson] answered, ‘Providing for my family.’ The thought has stuck with Fallon and Edwards ever since. “It drove [Poulson] in everything he did,” Fallon said. “He was excellent in everything he did so he could provide for his family.” Now that the two lead WPA as Principals, they have looked to embrace excellence through intentionality—in purpose, relationships, and work ethic—that will lead the firm to new heights.

Art of the Grill

By Taylor Larsen • September 1, 2024

Touring the brand name in grilling with Marbe Agee feels fitting, especially as she discussed the design concepts embodied throughout Traeger Grills’ new headquarters. Agee, a southerner and Principal at Method Studio, has helped to build Utah’s office scene by envisioning awe-inspiring commercial spaces for clients, especially here with the firm’s most recently finished work—modernizing a cluster of old buildings and turning them into a clean, 21st-century workplace. “We worked to make sure to not have brik-a-brak or gobbledy gook,” she said of the design, sprinkling our conversation with southern seasonings I haven’t heard used since my dad said “daggum” when referring to the sweltering Oklahoma heat. Committing to those design standards with plenty of existing “gobbledy gook” would be a challenge from concept to delivery. But Traeger Grills, their design team led by Method Studio, and their construction team led by Layton Construction's Interior Construction Specialists, joined forces to perfectly balance the ingredients on site with modern expertise to create a space to savor. Marinade Touring with David Knorr feels fitting, too. The Layton ICS Project Manager has a deep, gentle voice that combines with his beard and flannel shirt to make Knorr a pitmaster personified. He said he does use his Traeger grill often, but his domain is less barbecue, more building. Knorr, Agee, and their teammates at Layton ICS and Method Studio have shared a meal or two with the Traeger team in their ten-plus-year relationship working across multiple projects. Agee and Knorr mentioned watching Traeger go from working on MityLite tables in a Springville warehouse over a decade ago to building the office for the brand name in outdoor cooking with an award-winning project in the Wilmington Flats building in Sugar House. When the time came to envision a “Traeger 2.0” in a 2019 conversation with the Traeger Grills top brass, the designers and builders were ready to leap into action, with construction beginning in September 2021. Agee and the Method Studio Workplace team designed with certain goals in mind: fostering human connection and a place of belonging with a compelling set of work environments that draw you to the space. But, she said, this design needed to stay true to Traeger Grills and how they work while remaining unencumbered by current workplace trends. “Our current philosophy is to create a workplace that is not homeful, or heaven forbid the overused ‘resimercial’ word, but rather something that is better than what employees have at home,” Agee said. What she and her team are trying to capture in their office design is a culture-specific environment “where employees want to be.”

Marmalade Plaza Bearing Fruit

By Taylor Larsen • September 1, 2024

Tucked just beyond the hustle and bustle of 300 West in Salt Lake City is something sweet: Marmalade Plaza—the collaborative work between third-generation Utah family business Cal Wadsworth Construction and landscape architects and designers at Salt Lake-based LOCI. Amidst the lovely built features and vegetation installed around the half-acre site, what catches the eye is the giant bronze apricot statue on the project's westernmost edge. Statue artist Day Christensen, with his last name so fitting for the Beehive State, delved into the Marmalade District’s rich past as the inspiration for his work on “Apricot,” saying the area’s steep streets were named after quince, apricot, and almond fruits as residents used those fruits to make and sell marmalade. The sculpture, he said, serves as a constant reminder of the neighborhood's origins and the ingenuity of its pioneers. That ingenuity in design and execution was a theme as the project team delivered a public space befitting Salt Lake’s historic Marmalade District. The plaza design took off in 2014 with LOCI Principal and founder Michael Budge and his newly minted firm working on their first project. Instead of funding delays that pushed construction back, Marmalade Plaza would need to wait for future development to finish before starting. The landscape architect said the half-acre parcel was always set up as a public space between existing developments at that time (Marmalade Library; Capitol Villa Apartments) and future projects (Harvest Apartments; Grove at Marmalade townhomes). Public involvement quickly settled on a design priority that remains top of mind for many Utah residents—water. “From day one, we wanted a water feature,” said Budge. The plaza would honor the body of water that existed on site previously, one the Army Corps of Engineers had to ensure wasn’t a wetland. The LOCI team designed an abstract wetland in its place, complete with water boxes for the future rushes to be installed. Winning the construction bid was Cal Wadsworth Construction’s entry point to test their collective chops. “We thought that all of the concrete work was exciting,” Jordan Wadsworth said. As Director of Operations for Cal Wadsworth Construction, the design that called for board-formed precast cubes, cast-in-place bridges and steps, plus sandblasted artistic flair would push him and his team to innovative heights. Turning the site from a post-development mud pit into an urban oasis was challenging on such a tight site. One small entrance on the southern edge for concrete trucks and construction teams required high-level sequencing to get the right people on-site at the right time. Connection and coordination were always at the forefront, especially with how the project integrates with the nearby buildings. That LOCI was hired by Harvest Apartments, adjacent to the to the north and west, to design their landscaping and more was a huge win, ultimately helped to site the complex’s three apartment buildings and combine features where landscaping seen in project dovetails perfectly in the other, flowing together like the plaza’s 100-ft-long water feature. “It’s not an easy design and hats off to the contractors who built it,” said Budge. Not easy is an understatement, especially with the ipe (pronounced E-pay) Brazilian hardwood decking. Dense, heavy, durable, and challenging meant a few hundred drill bits were sacrificed at the altar of construction. But the team persevered, developing a system to make cuts so clean that the hardwood boards appear pre-engineered. “All of it was hand done,” Wadsworth said of the work with the decking. Precision and care were standout features of the Cal Wadsworth Construction team as they self-performed cast-in-place concrete benches with the gentlest curves, three concrete bridges, as well as concrete steps across the northern end of the water feature—all surrounded by two lines of paperbark maple trees. “It’s refined,” said Budge. “It’s less so someone’s backyard, but [more] an urban plaza you’d find in a major city.” The slight bend in the form of the benches, water feature, and around 1,600 SF of decking are not only a circulation effort moving people from southwest to north or vice versa, but a testament to the work from the Cal Wadsworth team to artfully construct such complicated forms. The design also called for precast concrete cubes ranging in height between 9” - 3’9” in height. Built by Brigham City-based Mountain West Precast, each of the cubes was picked and placed close to the final location before a forklift positioned each of them on their respective bolts before epoxying them in place. Wadsworth said it came together “like a Tetris puzzle.” The project team dug deep into their problem-solving bag after the fire marshal refused to allow the grass turf of LOCI’s original design. The landscape architects pivoted to replacing the turf with two 25-foot-plus sycamore trees to help cool and shade the plaza’s 5,000 SF of concrete hardscape.