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Art of the Grill

Traeger Grills’ new headquarters sears an indelible mark on Salt Lake’s south side with stunning design and finishes on this adaptive reuse and renovation to build a cohesive, dynamic hub.
By Taylor Larsen

Touring the brand name in grilling with Marbe Agee feels fitting, especially as she discussed the design concepts embodied throughout Traeger Grills’ new headquarters.

Agee, a southerner and Principal at Method Studio, has helped to build Utah’s office scene by envisioning awe-inspiring commercial spaces for clients, especially here with the firm’s most recently finished work—modernizing a cluster of old buildings and turning them into a clean, 21st-century workplace.

“We worked to make sure to not have brik-a-brak or gobbledy gook,” she said of the design, sprinkling our conversation with southern seasonings I haven’t heard used since my dad said “daggum” when referring to the sweltering Oklahoma heat.

Committing to those design standards with plenty of existing “gobbledy gook” would be a challenge from concept to delivery. But Traeger Grills, their design team led by Method Studio, and their construction team led by ICS, joined forces to perfectly balance the ingredients on site with modern expertise to create a space to savor.

Marinade

Touring with David Knorr feels fitting, too. The ICS Project Manager has a deep, gentle voice that combines with his beard and flannel shirt to make Knorr a pitmaster personified. He said he does use his Traeger grill often, but his domain is less barbecue, more building.

Knorr, Agee, and their teammates at ICS and Method Studio have shared a meal or two with the Traeger team in their ten-plus-year relationship working across multiple projects. Agee and Knorr mentioned watching Traeger go from working on MityLite tables in a Springville warehouse over a decade ago to building the office for the brand name in outdoor cooking with an award-winning project in the Wilmington Flats building in Sugar House.

When the time came to envision a “Traeger 2.0” in a 2019 conversation with the Traeger Grills top brass, the designers and builders were ready to leap into action, with construction beginning in September 2021.

Agee and the Method Studio Workplace team designed with certain goals in mind: fostering human connection and a place of belonging with a compelling set of work environments that draw you to the space. But, she said, this design needed to stay true to Traeger Grills and how they work while remaining unencumbered by current workplace trends. 

“Our current philosophy is to create a workplace that is not homeful, or heaven forbid the overused ‘resimercial’ word, but rather something that is better than what employees have at home,” Agee said. What she and her team are trying to capture in their office design is a culture-specific environment “where employees want to be.”

Assemble


“The design was really outside the box,” said Knorr, complicated in part by an underlying issue—what existed in place. “There are so many unknowns everywhere you turn, especially when you’re going six feet down into the soil.”


Early excavation and structural surveying determined what could stay and what would be cast aside. While one structure received the wrecking ball, two of the buildings and their wood-slated, barrel vault roofs would receive a restorative touch after the team unanimously agreed to save the historical feature. Four total buildings were saved and combined into one structure befitting Traeger Grill’s innovative and growing team.


“The whole project was so fun because it was so unique,” said Knorr of the personal highlight. He said the experience was far different from the normal tenant improvements created by ICS, namely that he and his team were involved in groundwork and so much structural change of the existing buildings. Adapting the preserved structures required excellent collaboration and trust from their construction and design partners, many of which had worked together on many other successfully completed projects.


The CMU edifices of all four preserved buildings were upgraded via supplemental steel and strategically placed shotcrete over a layer of closed-cell spray-foam insulation. Windows were then added to open up every inch of the new space for natural daylight and views. The two existing buildings with barrel vault ceilings received a full metal roof substrate over the existing wood slats, too.


Between skylights added into the former warehouse building, the team sprayed K-13 insulation on the metal decking as an acoustic buffer from the highway streets nearby to keep work areas more resilient to the hubbub throughout the headquarters. The black of the insulation shares a few qualities of the char marks of a steak in color and contrasts with the surrounding elements.


A build as complicated as the Traeger Grills headquarters needed a special ingredient to bring the recipe up a notch. Since the outside walls and roof couldn’t support a second floor, ICS got to work constructing 23,512-SF floating mezzanine that serves the same purpose.


The inability to tie the mezzanine structurally required a two-inch gap between mezzanine and shell to build, as Knorr called it, a structure within the structure. He complimented all of the trade partners who they leaned on for expertise throughout the process, but specifically praised Rightway Steel and ARW Engineers for their work to envision and then build black structural steel visible throughout the headquarters and support the entire structure.


Conex-style boxes are found throughout the mezzanine level, with dark leather furniture and other finishes setting a comfortable mood inside.


“There should be no precious furniture in a space,” Agee said of those and all of the interior work. “If you want people to embody a space, if you want people to be here, you have to let them sit there, and it has to be comfortable.”


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Serve


Art, murals, furniture, and more are a masterclass in brand aesthetics that add to the comfort. The material aesthetic of corten steel, shotcrete, and rolled steel naturally dovetail with the color palette of black, grey, and spritzes of orange—adding a zest to reemphasize the brand and connect across departments. The pop art throughout the space is zany, fun, and a visual microcosm of Traeger Grills’ efforts to innovate on the timeless theme of bringing people together and enjoying a good meal.


There’s a fit for every flavor of work. Ideation and R&D are front and center, with a user observation lab, marketing rooms for content filming, a green room, a test kitchen, and a snazzy commercial kitchen cooking up delicious lunches and more for employees. Workstations are a given, but multiple areas combine work with a splash of play in their cross-functionality that would make even the most robust event space green with envy.


A venture to the shaded outdoor roof deck showcases a few employees in a breakout meeting. Can you call it work if everything is this comfortable and fun? Heading back to ground level and a few more folks are enjoying lunch in the covered patio connected to the dining space. Multiple roll up doors and grate-style openings blend the indoor/outdoor cookout experience to reinforce the brand as workplace and entertainment hub centered around food, fire, and innovation.


“We have been excited about this project from the beginning, and it turned out better than we ever imagined,” said Traeger Grills CEO Jeremy Andrus. "We wanted to keep the historic nature of the building, like the original barrel vault roof, but we also designed the space to fit our lifestyle at Traeger.


Enjoy


Our tour ends with the possibly the most phenomenal view—looking up to the immaculately preserved barrel vault ceilings. Breathtaking doesn’t begin to describe the wooden beams of these preserved buildings.


Knorr said some of the wooden beams and slats needed replacement, while the rest were preserved and renewed to a deserved glory. The museum-like illumination spotlights lumber old and new, a trick Agee learned from her mentor, architect Jim Lewis, when he lit up the ceiling planks on Salt Lake City’s famous Bogue Supply Building. 


It’s an emotional sight to see a modern take on such a historic feature that gracefully hangs over the tables and chairs for the Traeger Grills team to enjoy a meal or take in the company’s weekly all-hands meeting. A second building with the barrel vault roof received the same restorative techniques and now houses the events and marketing team workspaces, helping to bring the good news of Traeger’s culture of food, fun, and fire out to grillers and chillers everywhere.


Getting the recipe right, team members said, required extensive work, but Traeger Grills’ new headquarters is worth savoring.

Traeger Grills Headquarters


Design Team:

Architect: Method Studio

Civil: McNeil Engineering

Landscape Architect: Wenk Associates, Inc.

Structural: ARW Engineers

Electrical: Rocky Mountain Consulting Engineers

Mechanical & Plumbing: SMD & HMW Engineering


Construction Team:

General Contractor: ICS

Concrete: Black Ops Concrete

Plumbing: Reliable Plumbing

HVAC: AJ Sheet Metal

Electrical: Taylor Electric

Masonry: IMS Masonry

Drywall: Standard Drywall

Painting: Fisher Painting

Tile/Stone: Dowland Tile & Midwest D-Vision Solutions

Millwork: Contempo Cabinet

Flooring: Midwest D-Vision Solutions

Roofing: Layton Roofing

Glazing/Curtain Wall: Midwest D-Vision Solutions

Waterproofing: Guaranteed Waterproofing

Steel Fabrication/Erection: Rightway Steel

Excavation: Jones Excavation

Demolition:  Red Rock Excavation

Landscaping: Intermountain Plantings

Kimley-Horn SLC Office Marks 10 Years

By By Brad Fullmer • 04 Oct, 2024
It's been a decade since Kimley-Horn, one of the nation’s top engineering and design consultancy firms, launched an office in Salt Lake, and by all accounts, the Wasatch Front market has been a boon to the civil engineering firm, with local leaders feeling highly optimistic about its future success and growth in the Beehive State. The Salt Lake office was opened by Zach Johnson in 2014, who previously spent time in three other Kimley-Horn offices including Sacramento, Orange County, and Denver, with three total people comprising the initial staff. The firm's Denver office was providing consulting services for the Utah Department of Transportation and put together a market analysis regarding expanding into its neighbor to the west. "The market analysis we put together showed we should have had an office in Utah 10 years previously [2004], so we decided to plant a flag and open an office," said Johnson, who leads the office along with seasoned Salt Lake office practice leaders Chris Bick, Leslie Morton, and Nicole Williams. Like any new start-up endeavor, it was rough sledding initially, but strong regional support and the sheer tenacity of boots-on-the-ground marketing started paying off, with explosive growth happening along the way. "I would describe the first few years as lean," said Johnson. "We had to be creative, we had to be scrappy to capture work and rely on our partners across the country, folks who had clients in Utah and rely on those relationships. Those first two to three years were about relationship building and knocking on doors that didn't always open. It was a lot of fun."

A Future Paved with Intentionality

By Taylor Larsen • 03 Oct, 2024
Nearly 90 minutes into a conversation with Dave Edwards and Bruce Fallon, the two remembered a story about the values of WPA Architecture from years before. Fallon was in talks with the principals at the firm to define values for the rest of the company. Longtime ownership, with decades of experience founding and building up their own firm, weren’t against the idea, but the idea of formalizing it all seemed inconsequential. Fallon had been a Principal with the firm for ten years and finally asked longtime Principal Alan Poulson (who retired in December 2023), ‘What motivates you?’ to which [Poulson] answered, ‘Providing for my family.’ The thought has stuck with Fallon and Edwards ever since. “It drove [Poulson] in everything he did,” Fallon said. “He was excellent in everything he did so he could provide for his family.” Now that the two lead WPA as Principals, they have looked to embrace excellence through intentionality—in purpose, relationships, and work ethic—that will lead the firm to new heights.

Marmalade Plaza Bearing Fruit

By Taylor Larsen • 01 Sep, 2024
Tucked just beyond the hustle and bustle of 300 West in Salt Lake City is something sweet: Marmalade Plaza—the collaborative work between third-generation Utah family business Cal Wadsworth Construction and landscape architects and designers at Salt Lake-based LOCI. Amidst the lovely built features and vegetation installed around the half-acre site, what catches the eye is the giant bronze apricot statue on the project's westernmost edge. Statue artist Day Christensen, with his last name so fitting for the Beehive State, delved into the Marmalade District’s rich past as the inspiration for his work on “Apricot,” saying the area’s steep streets were named after quince, apricot, and almond fruits as residents used those fruits to make and sell marmalade. The sculpture, he said, serves as a constant reminder of the neighborhood's origins and the ingenuity of its pioneers. That ingenuity in design and execution was a theme as the project team delivered a public space befitting Salt Lake’s historic Marmalade District. The plaza design took off in 2014 with LOCI Principal and founder Michael Budge and his newly minted firm working on their first project. Instead of funding delays that pushed construction back, Marmalade Plaza would need to wait for future development to finish before starting. The landscape architect said the half-acre parcel was always set up as a public space between existing developments at that time (Marmalade Library; Capitol Villa Apartments) and future projects (Harvest Apartments; Grove at Marmalade townhomes). Public involvement quickly settled on a design priority that remains top of mind for many Utah residents—water. “From day one, we wanted a water feature,” said Budge. The plaza would honor the body of water that existed on site previously, one the Army Corps of Engineers had to ensure wasn’t a wetland. The LOCI team designed an abstract wetland in its place, complete with water boxes for the future rushes to be installed. Winning the construction bid was Cal Wadsworth Construction’s entry point to test their collective chops. “We thought that all of the concrete work was exciting,” Jordan Wadsworth said. As Director of Operations for Cal Wadsworth Construction, the design that called for board-formed precast cubes, cast-in-place bridges and steps, plus sandblasted artistic flair would push him and his team to innovative heights. Turning the site from a post-development mud pit into an urban oasis was challenging on such a tight site. One small entrance on the southern edge for concrete trucks and construction teams required high-level sequencing to get the right people on-site at the right time. Connection and coordination were always at the forefront, especially with how the project integrates with the nearby buildings. That LOCI was hired by Harvest Apartments, adjacent to the to the north and west, to design their landscaping and more was a huge win, ultimately helped to site the complex’s three apartment buildings and combine features where landscaping seen in project dovetails perfectly in the other, flowing together like the plaza’s 100-ft-long water feature. “It’s not an easy design and hats off to the contractors who built it,” said Budge. Not easy is an understatement, especially with the ipe (pronounced E-pay) Brazilian hardwood decking. Dense, heavy, durable, and challenging meant a few hundred drill bits were sacrificed at the altar of construction. But the team persevered, developing a system to make cuts so clean that the hardwood boards appear pre-engineered. “All of it was hand done,” Wadsworth said of the work with the decking. Precision and care were standout features of the Cal Wadsworth Construction team as they self-performed cast-in-place concrete benches with the gentlest curves, three concrete bridges, as well as concrete steps across the northern end of the water feature—all surrounded by two lines of paperbark maple trees. “It’s refined,” said Budge. “It’s less so someone’s backyard, but [more] an urban plaza you’d find in a major city.” The slight bend in the form of the benches, water feature, and around 1,600 SF of decking are not only a circulation effort moving people from southwest to north or vice versa, but a testament to the work from the Cal Wadsworth team to artfully construct such complicated forms. The design also called for precast concrete cubes ranging in height between 9” - 3’9” in height. Built by Brigham City-based Mountain West Precast, each of the cubes was picked and placed close to the final location before a forklift positioned each of them on their respective bolts before epoxying them in place. Wadsworth said it came together “like a Tetris puzzle.” The project team dug deep into their problem-solving bag after the fire marshal refused to allow the grass turf of LOCI’s original design. The landscape architects pivoted to replacing the turf with two 25-foot-plus sycamore trees to help cool and shade the plaza’s 5,000 SF of concrete hardscape.

Movin' on UP!

By Doug Fox • 01 Sep, 2024
There’s a new jewel in the crown of Silicon Slopes architecture: the visually stunning Traverse Heights Office Building. The six-story structure, housing 57,000 square feet of Class A professional office space and featuring a floor-to-ceiling curtain wall glass facade, sits like a queen on a bluff overlooking the I-15 corridor in Lehi and the expanse of Utah Valley. If you’re traveling through that section of north Utah County, you can’t miss it on the east side of I-15. “It is impossible to exit the freeway and not see this building standing large, perched over Silicon Slopes,” said Jared Francom, Project Director for Okland Construction. “It stands apart by location, approach and visibility.” The building, owned by Woodley Real Estate, came with a price tag of around $25 million. In addition to the ownership group, tenants include Bank of America, Fidelity Investments, Solidarity Capital, Paramount and family offices for both Curt Doman and Todd Pederson, among others. “We have had way more demand than space,” said Eric Woodley, owner/developer. “It certainly stands out and is a unique offering. The offset design really sets it apart from the rest [of the buildings in Silicon Slopes].” According to David Anderson, Design Principal for Babcock Design, the core concept of the building differed significantly from the typical five- and six-story workplace projects his firm has created along the Silicon Slopes stretch of I-15. “On the heels of several projects designed around 100,000-plus-square-feet tech-sector tenants that prioritized efficient floor plates and large-scale shared amenities, this project targeted smaller, high-end user groups with an interest in a refined, iconic space,” Anderson said. “As a result, efforts were made to sculpt a unique exterior form with shifting floor plates cantilevering high above the ground plane, which provided extensive usable outdoor space.” COVID Conundrums The journey from land acquisition in 2020 to certificate of occupancy in 2023 turned out to be no easy feat. Mentally, Wasatch Front residents may be a few years removed from the peak period of the COVID-19 pandemic but its architectural impact is still being felt and the Traverse Heights Office Building is a prime example. The project started during the mid- to latter stages of the pandemic in 2021 and was designed amid the challenging fallout of material shortages throughout the building industry. Year-long lead times and cost escalation on structural steel products at the time tilted the design decision toward a post-tensioned concrete structure, Anderson said. But that strategic switch spawned its own set of COVID-created conundrums. “By the time construction ensued, of course, there were concrete shortages throughout the state due to shutdowns of several cement production plants,” Anderson said. “Okland Construction worked miracles to acquire concrete during the shortage and significantly minimized delays in the construction schedule.” Choosing concrete both for the look and the difficulty of procuring steel, Woodley noted that the concrete shortage hit during the mat-footing pour — basically the most inopportune time possible. “It was a nightmare to work through, but we had a great construction team to help us navigate it,” he said. On a positive note, the decision to use post-tensioned concrete affected both the overall form — achieving some dramatic cantilevers in the office space – as well as the feel of the interiors, said Anderson. “Exposed architectural concrete sheer walls and solid concrete slabs created a crisp, smooth and dramatic interior space with exceptionally high ceilings,” he said.

ASLA Pulls Up a Chair

By Taylor Larsen • 01 Sep, 2024
It’s hard to keep track of all the decisions made about the built environment happening in Utah. A new commercial design here, permitting there, and the beginning and end of so much master planning. It’s great for the A/E/C community, certainly, but for Bryce Ward and the other board members at the ASLA Utah Chapter, landscape architecture deserves a seat at the table where those decisions are made. Bringing in their unique point of view, ASLA Utah is aiming to break through the misunderstanding in their field to plan, design, and steward environments across Utah for residents and visitors to thrive. There’s the mission, and there’s the practice. Ward explained that landscape architects are expert generalists, meaning he and his fellow professionals are trained to think beyond the site boundaries. “Buildings are part of an elaborate natural and development fabric,” Ward, recently elected Trustee for the ASLA, said. “Landscape architects think through the impacts development has on the built and natural environments.” After all, their work is much more than shrubs, benches, and a walking path. The plan is in motion to build toward a cohesive whole, where every facet of the built environment is considered—with landscape architecture joining the party and improving projects across the state. For Lars Erickson, ASLA Utah President-Elect, the matter is one of dollars and cents in a straightforward equation: clients that value and pay for good design get greater value in their projects. “Even the simplest of landscape projects can create greater value for our environment with a little more effort,” Erickson said.

Big Plans on Campus

By B. Garn • 01 Sep, 2024
Students at Utah’s higher education campuses this fall likely found themselves navigating around construction fencing or finding once familiar pathways to class temporarily blocked as concrete trucks rumbled by and tower cranes cast shadows across campus. From the new buildings for the University of Utah’s School of Medicine that are reshaping the upper campus of the state’s flagship university to plans for a major campus expansion at Utah Tech University (UTU) in St. George, a surge of projects planned and funded several years ago are now taking shape on university campuses from Logan to St. George.

Precast Market Ready to Take Off in Utah

By Taylor Larsen • 01 Sep, 2024
It’s not rocket science. According to Kevin Martin, Geneva Pipe & Precast’s General Manager for the Orem office, precast concrete is a simple, albeit different, solution for a construction problem. “We’re still building a metal cage and building a mold and putting concrete around it,” he said. Simple, sure, but effective. With a huge concrete market to capture, expanding infrastructure with new and growing communities, and a broken labor market showing no signs of repair, the trajectory for precast is upward and onward as the new year approaches. No Rest for Precast Each of those interviewed spoke to how there is not just an insatiable demand for precast in Utah, but that they regularly field calls from out of state to supply jobs across the West. As a byproduct, one trend that may be gone forever is the winter slowdown, especially as development ticks up across the state. Said Martin, “We used to use the winter months to build up inventory, but the new way of doing things is putting pressure on us to keep production high year-round.” Demand for neighborhood infrastructure products is here to stay, especially for growing cities around the state. Developments are popping up across Utah County in Lehi, Saratoga Springs, and Eagle Mountain, as well as an exploding demand from the southward development in places like Payson, Santaquin, and even Benjamin, nestled snugly just south of Spanish Fork. Precast, those interviewed said, is ready to meet it with pipe, box culvert, manholes, and more. With expanding development combined with the growing capabilities of precast concrete, "slowdown" might not enter the precast vernacular again. Lee Wegner, Regional Sales Manager for Contech Engineered Solutions, noted the possibilities that opened up with the Latter-day Saint temples in the 2010s changed the game on precast concrete in Utah. High-level detail and molds brought awards and new possibilities, with rope-like features and scalloped corners doing the best impression of skilled masonry work. “Almost every piece was unique,” said Wegner of their work on the Payson Temple. While unique is not the word precasters want to hear in such a standardized process, the pride of seeing what their work accomplished in the final build helped to reimagine what was possible in precast shops. “We’re pushing the envelope a lot more and are much more adaptable to the needs of the market.”

Innovative Infrastructure

By Milt Harrison • 01 Aug, 2024
Crews from Whitaker construction installed a massive 63-inch diameter HDPE pipe for North Davis Sewer District that allows treated and cleaned wastewater to flow to the Great Salt Lake, putting water back into the ecosystem while combatting dropping water levels. (photos courtesy Whitaker Construction)

Brilliantly Executed Spaces and Thinking

By LADD MARSHALL • 01 Aug, 2024
The Intermountain Chapter of the International Interior Design Association (IIDA) held its annual BEST Awards competition on May 16 at The Natural History Museum of Utah, with the UVU Sorensen Student Center capturing the "BEST of the BEST" and "BEST Play" categories. BEST stands for Brilliantly Executed Spaces & Thinking, and the IIDA awards are among the most prestigious given to interior design professionals in both residential and commercial markets. An array of unique projects were submitted, projects that go beyond painting a pretty picture while truly encompassing great design in function, form, and style. IIDA Intermountain recognizes that successful interior design requires a collaboration of many disciplines including consultant teams, project managers, vendors, contractors, and more. These awards are a celebration of that collaboration and of dynamic overall design happening throughout the Intermountain region.

Next Gen

By Brad Fullmer • 01 Aug, 2024
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