• Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button
Long Time Coming

The sparkling new 26-story Hyatt Regency Salt Lake City will have a multi-generational impact on the local hospitality market and gives downtown another inspiring landmark.
By Brad Fullmer

It’s been a long…time…comin’
It’s goin’ to be a long…time…gone
— Crosby, Stills & Nash; Long Time Gone (’69)

The wait is over.
Salt Lake City’s desire for a convention center hotel to fuel future economic growth in the state’s all-important hospitality and tourism markets has been fulfilled on a grand scale, with the recent completion of a generational hotel that without question raises the bar on luxury accommodations in Utah’s capital.
Indeed, the 25-story (plus one level of underground parking), nearly 700,000-SF Hyatt Regency Salt Lake City is already the talk of the (down)town with its dynamic all-glass façade that offers optimum reflectivity. The high-performance glass has high R-values and low solar heat gain coefficient numbers, to go along with its reflective properties. This character allows the façade to respond to and capture the surrounding atmosphere, creating ever-changing aesthetics of the building from sunny to rainy days and from day to night times.
Floor-to-ceiling windows in every space allow guests to enjoy dramatic views in all directions of downtown Salt Lake, while capturing the grand mountain scenery of the Wasatch and Oquirrh ranges. 
“Capturing the views of Salt Lake City was the most important [aspect],” for the design team, said Irene Sourbeer, Sr. Associate with Atlanta-based Portman Architects, who along with Gordon Beckman, Portman Architects Director of Design, came up with preliminary hotel design ideas that went through myriad conceptual reviews, up to 50+ iterations. 
Sourbeer, who moved from Atlanta to Silicon Valley right before the pandemic in 2020 (which greatly cut her weekly commute time to SLC for project team meetings), said much time was spent choosing a glass that would meet the most stringent building demands of form and function. The project includes other sustainable aspects that comply with the Commercial Property-Assessed Clean Energy (C-PACE) program. 
“The colors and reflectivity had a lot to do with the fact we wanted to be energy-conscious,” she said. “All-glass buildings typically are not environmentally friendly because of heat gain. We went through many glass types—this one is a high-performance glass with slight reflectivity which echoes the surrounding environment,” she said. “The façade changes every day. If you capture it at the right moment, it is complete transparency. Sometimes it’s clear, sometimes it’s a mirror ball.”
The Hyatt Regency marks the fifth hotel/hospitality project—all of them feature all-glass façades—completed by the four-headed entity of co-developers Portman Holdings of Atlanta and Colorado-based Hensel Phelps Development and the design and construction team of Portman Architects and Hensel Phelps Construction. That list includes the likes of Hilton San Diego Bayfront (2008), the Intercontinental San Diego (2018) and Hotel Indigo Denver (2017), and Lane Field North (2016). 
Glass buildings are nothing new for both Portman entities, said Ali Streetman, Vice President for Portman Holdings, a nod to the legacy of founder John C. Portman, Jr. 
Portman was a legendary architect from Atlanta who started Portman Architects in 1953 and was known for pioneering the role of architect as developer, allowing him more latitude in implementing design concepts into projects. He designed many prominent hospitality projects, including three iconic downtown Atlanta hotels—the Hyatt Regency, Marriott Marquis and Westin Peachtree Plaza—that anchor the bustling 14-block Peachtree Center, which began in 1960. The latter was designed/developed by Portman, a magnificent 73-story, 723-foot all-glass circular tower (187-foot-diameter) that opened in 1976 and is the 4th-tallest hotel in the Western Hemisphere (30th tallest hotel in the world). 
“Design-wise, Portman loves to do full-height glass,” said Streetman, a 24-year veteran of the firm who also worked on the previous four hotel projects. “It takes it from a standard room to an amazing room. You get the views, the surround experience, it brings light into the space. It makes everything nicer on the interior. We do a lot of glass. It’s generally an office building façade look, but it’s nice to bring it to the hospitality side. It’s always a ‘wow’ moment when people come into the hotel.”
The façade, while brilliant as a design concept, was “challenging for a number of reasons” to execute, said Adam Noelck, Project Manager for Hensel Phelps. “Our team allowed us to do some incredible things—there were 4,125 pieces of glass on the job. [Steel Encounters] did an exceptional job on the installation, and it takes those types of partners to build these landmark buildings.” 
“This was right in our wheelhouse,” said Charlie Thomas, Project Manager for Steel Encounters, who said his crews installed a combined 333 units of unitized curtain wall sections and window wall units primarily from January 2021 to February 2022 on the main tower. 
According to Thomas, levels 1, 4 and 26 were particularly challenging to install as they feature oversized curtain wall units up to 23 ft. tall and loaded with steel, that made them heavy and difficult to maneuver as they were upwards of 2,000 pounds each. Thomas also cited overhead structural cantilever elements that required precise placement, tucking units into spaces not accessed by the tower crane. 

The Contribution Cocktail Lounge on the first floor just off the main lobby is highlighted with exquisite décor and offers sublime sunset views to the west. (left) The lobby is warm and inviting, instantly connecting guests with the hotel’s character (photos courtesy Hensel Phelps).

Timing, Planning, Execution Key to Combating Difficult Climate

Talk of a convention center hotel in Salt Lake dates back well over two decades. Streetman said Portman had started initial discussions before the Great Recession of 2008-10 but didn’t get fully serious about it until five years ago when all four entities started the collaboration process.

Their timing proved fortuitous, with final funding coming through at the tail end of December 2019, according to Tyler Reagan, Development Manager for Hensel Phelps Development. Had funding been delayed another three months when the pandemic fully hit, the project wouldn’t have seen the light of day, period. 

“Nobody knew what was going to happen in March,” said Reagan, citing the ‘big three’ factors—pandemic, supply chain woes, labor pool constraints—that made construction difficult for the entire industry over the past two years. “If this job hadn’t financed until March, it wouldn’t be here. We hit [the schedule] on the day and delivered it under budget.”

John Cowan, Operations Manager for Hensel Phelps, said pre-planning meetings between designers and contractors across the board started well in advance of the actual January 2020 groundbreaking, which proved crucial in navigating the project through the pandemic.

“The entire team was engaged in planning on this project for over a year before construction began,” said Cowan. “The time we put into planning is what got us through the difficult times of 2020 and delivered an on-time completion.” 


The Hyatt Regency provides guests incredible views of Salt Lake City and its surrounding environment. Guest rooms are bathed in light and decked out in tasteful, modern furniture and amenities as displayed in a main room and bathroom (photos by ShutterScorpion).

Top Shelf Amenities, Sleek Design Elements Provide Significant “Wow Factor”

Convention center hotels are designed to pop, and Hyatt Regency Salt Lake City delivers that “wow factor” on multiple levels. 

In addition to the combination of 700 rooms and suites on floors 7-25, the hotel is equipped with 31 multifunctional event spaces totaling 60,000 SF and highlighted by two massive ballroom spaces—the Regency Ballroom clocks in at a mammoth 23,015 SF. Sourbeer said every space is carefully planned to account for pre-and-post functions in addition to main ballroom events. 

“There is an efficiency of the floor plans,” said Sourbeer. “To make the project feasible financially there is no wasted space in the building—it is efficiently stacked. It was strategical to design public areas next to glass. There was a lot of fine tuning to find the right balance (between form and function). Portman Holdings is good at understanding how to make beautiful outcomes while making the building efficient.”

The ballrooms are unique for their huge ceiling heights—22 ft. and 20 ft., respectively—and floor-to-ceiling glass on the south façade. The warm, inviting hotel lobby and reception area is highlighted with luxury stone and wood finishes, along with eclectic furniture and artwork. Amenities include four dining outlets—highlighted by Spanish-eatery Mar|Muntanya and the swanky Contribution Bar—a 24-hour fitness center, and outdoor pool and event terrace, and one level of underground parking. The “broadcast lounge” adjacent to the Recency Ballroom has two large digital TVs and plenty of space for guest to step outside and conduct business while maintaining connection to the main event. 

Interior public spaces are laid out for intuitive wayfinding with copious amount of glass allowing for maximum natural light and outside views, providing an interesting urban context to people on the outside. 

“I love that it has made a significant impact on the Salt Lake skyline in a positive way,” said Jodi Geroux, Sr. Associate with Salt Lake-based FFKR Architects and Project Manager on Hyatt Regency. “You drive toward it from any (direction) and it is prominent! All of the spaces in the hotel are truly inviting. This project is amazing […] it’s the beginning of a new Salt Lake City.”

FFRK served as the local architect and worked on interior spaces on floors 7-25 (guestroom floors), along with permitting, approvals and quality assurance. Geroux praised Sourbeer and the design team from Portman and said the working relationship between the firms was exceptional. 

“She was amazing,” Geroux said of Sourbeer, “and just remained calm under all circumstances. A shout out to the contractor (Hensel Phelps), too. They made no excuses through the pandemic, and then supply chain issues […] they came up with solutions that were acceptable to the design team and owner and delivered the project on time and on budget. In today’s day and age that’s remarkable.” 


Solid Foundation 

The hotel’s structure is comprised of cast-in-place concrete and structural steel with auger-cast pile foundations. Mechanical and electrical systems consist of a 15kV electrical service with multiple air handling units, energy recovery ventilation, three 900-ton chillers, and four-pipe vertical fan coil units serving each guestroom.

The foundation offered a host of challenges for Salt Lake-based Okland Construction, which served as the concrete subcontractor. The firm installed 1.2 million pounds of concrete reinforcing steel ahead of a giant 8,100 CY concrete pour for the post mat slab, which required five concrete batch plants and more than 90 concrete trucks over 13.5 hours, making it one of the largest single placements in Salt Lake’s history. 

Another challenge was construction of the podium structure for the building’s ballrooms. To achieve the open “column-less” space in these ballrooms, design called for the installation of 13 long-span steel trusses each weighing approximately 190,000 pounds. Tight site constraints made the safe and efficient erection of these trusses a herculean accomplishment for steel fabricator/erector Schuff Steel of Lindon. To ensure safety, it required the installation of 28 shoring towers below the level one concrete deck in conjunction with structural steel grillage above the level one concrete deck, all to support a 300-ton crawler crane that erected the trusses. In total, the weight of the crane and one truss section exceeded 1.29 million pounds.

The project team also performed nearly 20,000 individual laser scans of various components of the project, equating to more than one scan per 35 SF of building to ensure quality control and mitigate building conflicts. 


Memorable Once-in-a-Generation Project

During a post-grand opening tour of the hotel in November with Noelck, Cowan, Streetman and Reagan, each admitted to this project being something of a “one-off” in their respective careers, based partly on the unique environment fostered by the necessary response to Covid-19, but also on how effective the entire project team was in consistently hitting project deadlines, and the actual enjoyment of seeing a project of this magnitude come to fruition over an exhausting three-year period. 

“Our industry is unique in that all jobs we do have their own unique flavor and ‘fun factor’ so to speak,” said Noelck. “What’s cool about this job […] the team we brought together to build it was a really fun group to work with. With all the challenges that were presented to us, [our response] was always [to do] what’s in the best interest for the job. To work with that type of team and build a landmark job like this is really fun. It’s a beautiful building.”

“A lot of the projects we build, the public doesn’t get to see,” said Cowan. “A project like this is great because it’s so public, and so many people get to see it and enjoy it. These are neat projects to be involved with.” 

“This has been the most complicated project in terms of capital stack and getting it to come together,” added Reagan. “You throw in what happened in March 2020 and it became the most complicated project most of us had to deal with in our careers. At the end of the day, it’s a landmark project and it is changing the landscape of the city. We nailed the landing—we can all hang our hat on that.”

“This was a very complicated project from start to finish,” Streetman concluded. “Watching it come out of the ground every day was very rewarding in the environment we were in. We created a real camaraderie during Covid that I think wouldn’t have occurred during normal times. Because we were all together, all the time. It was very much like a family.”

Sourbeer also praised the tight collaboration of the project team.

“The best thing about this project was the partnership between owner, contractor and architect,” she said. “In this industry they call it the three-legged stool. We were like one big stump. We knew what we wanted to achieve and how to get there.”


Salt Lake-based Okland Construction was the concrete contractor on the project, which included a giant 7,500 CY consecutive pour for the mat slab, which required more than 90 concrete trucks over a 13.5-hour period— making it one of the largest single placements in Salt Lake City’s history.

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

Hyatt Regency Salt Lake City

Location: 170 S. West Temple 

Cost: $377 million 

Delivery Method: CM-at-Risk 

Stories/Levels: 26 

Square Footage: 686,784 SF


Project Team

Co-Developer: Portman Holdings

Co-Developer: Hensel Phelps Development

GC: Hensel Phelps Construction Co.


Design Team

Design Architect: Portman Architects; Irene Sourbeer, PM (Architect of Record for core/shell, public areas, BOH)

Local Architect: FFKR Architects; Jodi Geroux, PM (Architect of Record for guestrooms, interface w/convention center) 

Civil Engineer: PSOMAS

Electrical Engineer: Spectrum Engineers

Mechanical Engineer: VBFA

Structural Engineer: Magnusson Klemencic Assoc.

Geotechnical Engineer: Kleinfelder

Interior Design: Looney & Assoc., Parts and Labor Design


Construction Team

GC: Hensel Phelps Construction Co.

Concrete: Okland Construction

Plumbing/HVAC: J&S Mechanical

Electrical: Cache Valley Electric

Masonry: Child Enterprises

Drywall: Standard Drywall

Painting: Grow Painting

Tile/Stone: Castle Rock Int. Solutions

Millwork: Fetzer, Inc.

Flooring: Diversified Flooring

Roofing: Utah Tile & Roofing

Glass/Curtain Wall: Steel Encounters

Waterproofing: Rocky Mountain Waterproofing

Steel Fabrication & Erection:  Schuff Steel

Excavation: SIRI Contracting

Demolition: A-Core Concrete Cutting

UC+D Most Outstanding Projects of 2024

By LADD MARSHALL • January 1, 2025

Dynamic Electrical

By Taylor Larsen • November 1, 2024
Electrical contracting is competitive as hell. With a plethora of mega projects upcoming, a bidding war for the best electricians and estimators, and even a race to secure the energy to power Utah buildings, the competition at every level seems to grow more intense with each passing year. How can electrical contractors respond to upcoming trends and win work in the Beehive State? It Starts with Labor Ken Hoffman, Preconstruction Manager at Ludvik Electric, said that the competition for labor has been particularly fierce since he and his team began working on the New SLC International Airport some years ago. Competing for great people has always been the case, but the influx of high-level projects over the last decade, he recalled, “pulled everyone up” with drastic increases in wages that helped electricians bring more money home and brought in a cadre of workers from out of state to push jobs past the finish line. There is additional work to be done to bring in the next generation of fieldworkers to help build the state’s future, specifically the financial incentive to enter into a demanding, sometimes dangerous field. Contracting tech company ServiceTitan reports that salaries for entry-level electricians have risen 9.14% since the beginning of 2023, but is it enough? No, and it is hampering project execution. At a recent Urban Land Institute (ULI) Trends Conference, Hunt Electric CEO and President Troy Gregory offered a sobering statistic: currently, for every electrician who enters the trade, three electricians depart. Nathan Goodrich, Division Manager of Helix Electric, said that the industry needs to find solutions fast, as competing for the same people in a wage-based arms race is unsustainable. “We have to promote the trades as people are coming through high school,” he said. Exposure through industry days and other presentations is one way while granting release time for high school student workers was another that Goodrich mentioned as two ways to bring in the next generation of electrical contractors. Gregory agreed, saying that Hunt Electric and other industry groups have become much more involved at the high school level by showcasing and giving interested students career opportunities. He and his team have had success working on pre-apprenticeship that gives the most eager hands-on experience in prefabrication, an area that only grows in importance for contractors. “We’re getting them in a better position to be more productive on a job site on day one,” said Gregory.

Youthful Impact

By Taylor Larsen • November 1, 2024
Editor's note: UC+D's annual look at age 40 & Under A/E/C professionals includes individuals from a wide range of market segments including a general contractor VP, an interior designer, a rising UDOT director, a steel industry entrepreneur, an equipment dealer owner, and an electrical contractor safety/HR executive. Each holds a key position at their respective firm and has proven their skill and capability along their unique career paths.

Scintillating Sustainability

By Bradley Fullmer • November 1, 2024
Architect Brian Backe was succinct when he stated, "when I try to describe the Climate Innovation Center, one of the phrases is 'big things comes in small packages'." His words couldn't be more profound. An ambitious adaptive reuse project that is generating significant buzz in the sustainable building arena locally, Utah Clean Energy's new Climate Innovation Center (CIC) is the transformation of a modest, nearly 70-year-old, 3,000 SF single-level commercial structure into a state-of-the-art, two-story, zero-energy building that will serve as UCE's home for the next half century. "Within a 3,000 square foot footprint it has urban infill, is an adaptive reuse site, Net-Zero, combustion-free, hybrid mass timber structure—we really packed in a lot," said Backe, Principal-in-Charge for Blalock & Partners, who worked closely with Salt Lake-based Okland Construction to ensure optimum sustainability throughout the construction process. The $5.4 million, 5,260 SF project officially opened in June to much pomp and circumstance, and rightfully so. The center showcases the potential of what homes and buildings can be—spaces that are not only comfortable and inviting, but also produce zero pollution. The building will offer a space dedicated to learning, exploration and collaboration centered on climate solutions and improving local air quality, and a place for the community to engage and create solutions to the challenges we face. The project is a testament to CEO/Founder Sarah Wright and her team at Utah Clean Energy, and their commitment to increasing awareness of environmental sustainability. Their new home makes a bold, walk-the-walk statement about the importance of renewable energy in the built world. "There needs to be an education and understanding that renewables (solar, wind, hydro, geo-thermal) are our cheapest resources," said Wright, a Chicago-native whose diverse background includes work in geology, environmental consulting, air quality, and occupational health. She founded UCE, a mission-driven non-profit, in 2001 and is thrilled to see the CIC finally come to fruition after years of planning. The project, she said, embodies UCE's dedication to transforming Utah's built environment to be zero energy and emission-free, while helping the community reimagine the places we live and work. "This is a living laboratory and teaching tool for the public and the business community, demonstrating the tremendous role that buildings have in solving climate change," said Wright. "Everyone that's been here loves it and other owners say they are inspired by it." Kevin Emerson, Director of Building Decarbonization and an 18-year UCE veteran, said the project became a necessity in recent years as UCE's staff swelled to 15 people. "We've had a dream to really 'walk to talk' through our office headquarters and (CIC) is the result of that dream coming to fruition," said Emerson. "It is more than just office space—it's meant to be a showcase and teaching tool for the construction and design industry." "There is nothing more sustainable than reusing our existing buildings and breathing a new 50-year-life into a structure than was slated for demolition," said Backe, adding that construction crews seismically braced the primary existing CMU block wall, in addition to reusing over 65 tons of CMU and 50 tons of concrete.

It Doesn't End Here

By Taylor Larsen • November 1, 2024
Cancer sucks. That message is on t-shirts and stickers, message boards and social media, and is often said to others when news comes out about a diagnosis—a show of solidarity in the fight against cancer. But riding through the challenge doesn’t have to be the only experience, especially in cancer center design and construction. For Nathan Murray and Brian Murphy, the respective design and construction leaders who helped bring the McKay-Dee Cancer Center into a 21st century, their work showed that a cancer diagnosis or treatment isn’t the end, but the beginning of a new journey of support and patient-centered care. The project was a long time coming. What began in 2018 with the winning bid needed a bit of time to settle on the ownership side, but had Scott Roberson and Jimmy Nielson from Intermountain Healthcare championing the project along the way. Throughout the project, the team never lost track of the patient experience, which Murphy said led to many productive meetings on design priorities and project sequencing to achieve the renovation’s full potential.

On the Money

By Milt Harrison • November 1, 2024
As the commercial construction market in Southern Utah—particularly Washington County—continues to heat up, Onset Financial's dazzling new four-story corporate headquarters for its Red Rock Division makes a bullish statement about the company's outlook for the greater St. George area. Indeed, the owner-occupied structure totals 60,000 SF and is designed to harmonize aesthetic appeal with supreme functionality, given that it houses 23 offices, 86 cubicles, myriad state-of-the-art amenities, and a swanky top-floor corporate penthouse for Onset owner Justin Nielsen that is second-to-none. Developed by Salt Lake-based Asilia Investments, CEO Jonathan (Jono) Gardner stated frankly that this project is the nicest, most expensive office project per square foot that his firm has been involved with, and it speaks to Onset's aggressive business practice and optimism in the future of the equipment lending market. "You walk into that building and you know you're in something special," said Gardner. "It's [Onset Founder Justin Nielsen's] way to attract talent. He said, 'This is the way I'm going to build my business,' and he put his money where his mouth is, [wanting] to go above and beyond anything in the market. He leaned into this with an attitude of 'this is my business, this is my operation, I want people to know this is the place to be.’ He has incredible vision and can see things before they happen." Designed by Salt Lake-based Axis Architects and built by Salt Lake-based Okland Construction, the two firms worked harmoniously with each other via a CM/GC delivery method to produce one of the most unique structures imaginable, with a highly-complex layout where two gridlines intersect each other at a specific point in the middle of the building, with the layout based off this one intersection in all directions and floors not situated directly above each other. Gardner charged the design team, led by Pierre Langue, Founder of Axis Architects, to "give us something we've never seen before." In addition to the unique floor layout from floor to floor, they wanted to take advantage of incredible views into Snow Canyon and the environment in general, along with being situated along the Santa Clara River, which offers its own unique aesthetic beauty. Langue pointed out his firm’s perpetual refinement of using "apertures"—a "design element we've been developing and including in our designs for 20 years that is a continuation of an effort instead of one individual design," he said. "It's in reference to a camera—you're inside a box and framing the view. It's a great feature on the inside because you can frame the different views." “That's why the [floor] plates are rotated. It gave us a way to focus the view on something very specific that you want the viewer to see." In addition, said Langue, apertures on the outside are used as an extension of the building and help create shading for the large expanses of glass. Designing the complex floorplate grid was one thing, building it was another. "The layout was difficult because the gridlines were not particular to each other, and they didn't necessarily transfer to the floor above," said Tyler Dehaan, Project Manager for Okland, adding that it's the firm's first project of this kind. He said the "first pier footing we poured was crucial"—it had a column that extended at an angle and only connected to the building at the top floor, and was 15 feet lower in elevation than the first floor. "I was really concerned about that column not being in the right location/elevation and then the steel column not fitting," he added. Dehaan said they wouldn't know for six months if everything would fit—until all the footings, the foundation, three concrete cores (two stair towers, one elevator), and structural steel up to level four were completed. "In the end, it fit perfectly," said Dehaan. "There were no issues." Pouring the three cores was both challenging and labor intensive, and because structural steel tied into the cores, construction on steelwork had to wait until they were built. Okland self-performed the slip-forming process with help from some experienced concrete subcontractors. "When you see what's going on with the structure, you see the genius behind it," said Gardner. "The common cores hold it in place." Another critical and highly unique construction aspect was building a robust “sea wall” along the Santa Clara River capable of withstanding a 150-year flood event. Nielsen had concerns about the building being so close to the river but also wanted a dynamic outdoor terrace with direct access to a bicycle/running path along it. Hydraulic consultants collaborated on a “belt and suspenders” type of decision, said Dehaan, with crews digging down 15 feet below the main floor and installing a retaining wall below the flow line of the river. A wall of riprap and large cobble rocks were installed after the retaining wall was completed and during backfill. A similar build was done along the dry wash on the other side of the site.

Trends to Watch: Mechanical

By Taylor Larsen • November 1, 2024
Out with the old, in with the new? Not quite, according to experts in the mechanical industry. Trends in mechanical engineering and contracting are warming to both new and existing solutions to optimize efficiency as they maximize the mechanical budget. Three mechanical professionals in design and construction detailed the trends they see helping current clients integrate these mechanical solutions with the future in mind. Electrification Buzzing; Heat Recovery Heats Up According to Jared Smith, PE and Mechanical Engineer at VBFA, a constant in the mechanical field is that many owners have continued with gas-powered systems instead of fully embracing electrification. “The high first costs of full electrification of the mechanical systems through heat pumps,” Smith said, “is a bridge too far for owners currently.” “We’re not anywhere near full electrification of every project,” he said, “but clients are toying with the idea, and more clients are getting serious about it.” Operational costs are favorable due to the heat recovery nature of the system, but Utah’s location in a heating-dominant zone (colder winters) means that more air-source heat pumps would be required to meet the building’s heating needs than necessary during the summer months. Widespread electrification may be a years away, but it is is trending up, making the relationship between mechanical and electrical teams more important than ever and setting the stage for future project team victories in coordination and collaboration. It will become the standard for younger engineers as the industry heads toward full electrification of building systems, Smith said. It’s just one of the upcoming trends he is most excited about in the world of mechanical systems. Another is the efficiency gained through heat recovery chillers. Like a heat pump, heat recovery chillers pull heat out from a cooling source. During the cooling operation, the chiller produces cold water while dissipating heat through the condenser. But with a need for both chilled water and hot water, the released heat can go toward heating application. Smith said that operations are seeing overall energy usage intensity decrease across the square footage of the building. Wasatch Canyons Behavioral Health and Intermountain Health’s Saratoga Springs Cancer Care Clinic are two examples where Smith and the VBFA team have seen energy usage intensity decrease with the future implementation of a heat recovery chiller. “It shines in the healthcare environment,” Smith said, “with the year-round cooling load, you can dump it back into the heating system.” Electrification Still Needs Work; “Thermal Battery” Shows Promise For Steve Connor, PE and President of Colvin Engineering Associates, the University of Utah is fast becoming a leader in the electrification of new buildings. “By heating buildings with electricity, what was once heresy,” he laughed, “has become gospel.” Connor cautioned that electrification has drawbacks that need to be considered, namely that building electrification could create a second peak use period in the winter, one which could be even higher than current summer peaks. It will be incumbent on the A/E/C industry to continue to make gains on what Connor called “the best investment in energy” via high-value insulation, building envelopes, and windows to minimize the need for heating. The next step is to recover and store energy generated. At the new James LeVoy Sorenson Center for Medical Innovation at the University of Utah, Colvin Engineering Associates, along with trade partners Archer Mechanical, are utilizing a 42,000-gallon water tank that will function like a thermal battery for the building when it opens in spring 2026. Heat pumps will use the tank as a heat reservoir, adding or withdrawing heat as they cool or heat the building. If the heating demand is especially high and the tank gets cold, they will “charge” the tank overnight with an electric boiler, and if the tank gets too hot in the summer, they will reject the excess heat through a cooling tower. Most of the year, they add or remove heat from the building and store the waste heat in the tank, making it function like a thermal battery. Since buildings are always in need of cooling due to the energy use, people, and equipment in use across the building, heat can be taken away and stored in the tank before being pulled out of tank to heat the building back up in the morning.

United They Build

By Taylor Larsen • November 1, 2024
The business didn’t technically start, as Matt Menlove put it, with five guys in their father's truck. But it was the impetus for Matt and brother Marc to start United Contractors and take it to the heights reached over the last 20 years. One thing that came from those times working out of Dean Menlove's truck was this: “We were taught a love to build,” said Matt, who now leads the 56-person business as CEO. Their upbringing put them on the path to start United Contractors, but not before a few other iterations. The brothers’ handyman business, Menlove Maintenance, helped put the two through college. MKM Construction, run by Matt, ran for a few years before he and Marc joined forces to start United Contractors. United Hits Stride with a Company Vision The early business had the same, “out of your truck” mentality, with United’s first job renovating a Marriott hotel lobby near the Salt Lake City airport, and another significant project by the airport—renovating a tilt-up building for pipeline supplier T.D. Williamson. The 60,000 SF renovation included building a new mezzanine and outfitting the building for industrial operations on a small budget. The project was so successful that the client asked if we could stay on call for future building needs. “That was our first repeat client,” said Matt. “That was where we began the vision that ‘Every client would choose us again.’” At a recent company party to celebrate their milestone, Matt joked that the name "United Contractors” made it sound like they were a bigger business than they were, a benefit of the doubt that may have allowed the company a foot in the door initially. But company size and capability have never mattered as it relates to the company vision—that good experiences on the project team would bring in more work. “Our mission has always been to consistently exceed expectations through ‘Building on a Promise,’” Matt said. “As we build relationships and our clients trust us, then we can get to know them and begin to supersede their expectations and win them over again and again.” It’s not just clients that United wants to win over with the team’s attitude, work ethic, and understanding of construction, he continued, “We want to win over design partners, subcontractors, vendors, and even employees [...] It’s what we strive to accomplish every day when we step on the job site. “

Kimley-Horn SLC Office Marks 10 Years

By By Brad Fullmer • October 4, 2024
It's been a decade since Kimley-Horn, one of the nation’s top engineering and design consultancy firms, launched an office in Salt Lake, and by all accounts, the Wasatch Front market has been a boon to the civil engineering firm, with local leaders feeling highly optimistic about its future success and growth in the Beehive State. The Salt Lake office was opened by Zach Johnson in 2014, who previously spent time in three other Kimley-Horn offices including Sacramento, Orange County, and Denver, with three total people comprising the initial staff. The firm's Denver office was providing consulting services for the Utah Department of Transportation and put together a market analysis regarding expanding into its neighbor to the west. "The market analysis we put together showed we should have had an office in Utah 10 years previously [2004], so we decided to plant a flag and open an office," said Johnson, who leads the office along with seasoned Salt Lake office practice leaders Chris Bick, Leslie Morton, and Nicole Williams. Like any new start-up endeavor, it was rough sledding initially, but strong regional support and the sheer tenacity of boots-on-the-ground marketing started paying off, with explosive growth happening along the way. "I would describe the first few years as lean," said Johnson. "We had to be creative, we had to be scrappy to capture work and rely on our partners across the country, folks who had clients in Utah and rely on those relationships. Those first two to three years were about relationship building and knocking on doors that didn't always open. It was a lot of fun."

A Future Paved with Intentionality

By Taylor Larsen • October 3, 2024
Nearly 90 minutes into a conversation with Dave Edwards and Bruce Fallon, the two remembered a story about the values of WPA Architecture from years before. Fallon was in talks with the principals at the firm to define values for the rest of the company. Longtime ownership, with decades of experience founding and building up their own firm, weren’t against the idea, but the idea of formalizing it all seemed inconsequential. Fallon had been a Principal with the firm for ten years and finally asked longtime Principal Alan Poulson (who retired in December 2023), ‘What motivates you?’ to which [Poulson] answered, ‘Providing for my family.’ The thought has stuck with Fallon and Edwards ever since. “It drove [Poulson] in everything he did,” Fallon said. “He was excellent in everything he did so he could provide for his family.” Now that the two lead WPA as Principals, they have looked to embrace excellence through intentionality—in purpose, relationships, and work ethic—that will lead the firm to new heights.
More Posts
Share by: